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Fantasy Literature

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Jilly_in_VA

(12,257 posts)
Sun Jun 4, 2023, 03:07 PM Jun 2023

Fairytales have always reflected the morals of the age. It's not a sin to rewrite them [View all]

Should we update classic stories with modern morals? Two film-based kerfuffles have reopened the question. Reports that the next James Bond “won’t be white” have provoked a backlash, as did the launch of Disney’s The Little Mermaid, which features a black Ariel.

Negative “review bombing” of the film, which has been the target of criticism since its lead actor, Halle Bailey, was announced, caused the Internet Movie Database to make a rare intervention and change its ratings system. There is abhorrent racism on show here – about which perhaps little more needs to be said. But alongside it is a broader, longer running argument that might be worth addressing. Namely, that 21st-century mores – diversity, sexual equality, and so on – should not be shoehorned into old stories.

General outrage greeted “woke” updates to Roald Dahl books this year, and still periodically erupts over Disney remakes, most recently a forthcoming film with a Latina actress as Snow White, and a new Peter Pan & Wendy with “lost girls”. The argument is that too much fashionable refurbishment tends to ruin a magical kingdom, and that cult classics could do with the sort of Grade I listing applied to heritage buildings. If you want to tell new stories, fine – but why not start from scratch?

But this point of view misses something, which is that updating classics is itself an ancient part of literary culture; in fact, it is a tradition, part of our heritage too. While the larger portion of the literary canon is carefully preserved, a slice of it has always been more flexible, to be retold and reshaped as times change.

Fairytales fit within this latter custom: they have been updated, periodically, for many hundreds of years. Cult figures such as Dracula, Frankenstein and Sherlock Holmes fit there too, as do superheroes: each generation, you might say, gets the heroes it deserves. And so does Bond. Modernity is both a villain and a hero within the Bond franchise: the dramatic tension between James – a young cosmopolitan “dinosaur” – and the passing of time has always been part of the fun.

https://www.theguardian.com/commentisfree/2023/jun/04/contemporary-values-no-place-in-fairytales-you-must-be-living-in-a-fantasy-world

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